Franz boas and zora neale hurston2/12/2024 One day, however, Hurston dropped the mask, bursting into Boas’s office to ask for “Papa Franz.” Boas’s secretary shot her “a look,” instructing Hurston not to let the paterfamilias hear her call him that. Like those women, she began to think of Boas as a scholarly father, referring to him by a nickname the women never uttered in his presence. ![]() Hurston had been taken into the close-knit group of white women at Barnard College who orbited in the 1920s around the star of Franz Boas. Its theme is Hurston’s fate as a black woman in anthropology, the discipline that refused her a reliable livelihood and erased her from its history. ![]() Telling these stories means excavating legacies of exclusion and erasure.Īmong the manuscripts of Zora Neale Hurston now residing at Yale’s Beinecke Library, there is an account that Hurston drafted for her autobiography, Dust Tracks on a Road (1942). Boas and his intellectual network provide a lens to bring into unprecedented focus the global influence of peoples under scientific study-including Native American and Indigenous intellectuals, African American and pan-African scholars, and thinkers of mixed-race and migrant heritage-who used anthropology as a medium to transform modernity. Indeed, the intellectual legacies of this “Boasian Circle” cross disciplines, national boundaries, and hemispheres. The circle of scholars, authors, and intellectuals who shaped, and were shaped by, the anthropologist Franz Boas is wide and varied.
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